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The Collector's Gallery - Fine Canadian Art

Group 9
Ilse Anysas-Salkauskas
Folk Art
Maurice Assier
Neepin Auger
Adolf Benca
Merv Brandel
Lisa Brawn
Michael Burns
Canadian School
Jason Carter
Linda McBain Cuyler
Ferdinand Frantisek Engelmuller
Elaine Funnell
Leah Gravells
Faye HeavyShield
Michael Janzen
Mitchell Keirstead
Sharon Rose Kootenay
Diane Krys
Rachelle LeBlanc
Grant Leier
Degen Lindner
Alaynee Goodwill Littlechild
Glen Loates RCAe
Harold Lyon
Mario Mauro
Robert Francis Michael McInnis
Alisdair Monro
Milena Moriani
Katie Ohe RCAe ASA
Pauline Paquin IAF
J.R. Pearce
Liv Pedersen
Marcia Perkins
Jane Ash Poitras
Greg Pyra ASA
Cameron Roberts AFCA
Jillian Roulet
Sharyn Scarff
Joan Hall Staseson
Janice Tanton
Anne Wanda Tessier
Caitlin Thompson
Allison Tunis
Diana Un-Jin Cho
Douglas Williamson
Vilem Zach
Alaynee Goodwill Littlechild

Alaynee Goodwill Littlechild - Medicine Carrier 2019
Medicine Carrier 2019
9.8 x 7.3 in.  Bead and quill work attached to smoked hide 
Alaynee Goodwill Littlechild - A Sister's Love 2019
A Sister's Love 2019
9.8 x 7.3 in.  Bead and quill work attached to smoked hide 

Please email the gallery to view more works by Alaynee Goodwill Littlechild.

Alaynee Goodwill-Littlechild is a noted artist in contemporary beading and quillwork. A Sioux of Lakota and Dakota heritage and raised in the Treat Six community of Maskwacis, AB, Alaynee says she has been fortunate to have been surrounded by “my culture and taught the history and traditional practices of my people. The women in my family have mentored me and every piece I create is influenced by those teachings. My worldview and lived experience as an indigenous woman have helped me to evolve as an artist and designer.” Recently, she has been a contributing designer to the “BYellowtail Collective” in conjunction with fashion designer Bethany  Yellowtail.www.byellowtail.com/collections/alaynee-goodwill. Recent exhibitions include “Eye of the Needle”, Glenbow Museum, Calgary, 2017. Currently Alaynee has select pieces for purchase accompanying the exhibition “Art of Native America: The Charles and Valerie Diker Collection”, Metropolitan Museum of Art, New York City, NY.


“This project is important to me because as a woman I’ve been helped and guided my many amazing women in my life. I am grateful for the unconditional support and love of others. These two pieces are in honor of sisterhood, specifically to honor the relationship I have with my sisters. I recently lost my sister and working on these pieces has helped me in my grieving process. It also helped me to find strength and healing.
Like the traditional women’s pipe and medicine bags that hold our sacred medicines, knowledge and teachings my sisters embody that sacredness. It was my intention to translate their energies, love and spirit into each of these pieces.”